DRAFT PROGRAM
“The World Entire: Cormac McCarthy’s Expanding Influence”
Fall 2026 Cormac McCarthy Society Conference
Crowne Plaza Hotel
401 W. Summit Hill Drive, Knoxville, TN
Thursday, Oct. 8, 2026
President’s Welcome: Stacey Peebles, Centre College
Panel 1
Kelly James, Independent Scholar
"Gratuitous Violins: Patterns, Bach, and Cormac McCarthy"
KateÅ™ina KováÅ™ová, University of South Bohemia
“‘In the darkness of those bathypelagic deeps’: Sea Imagery in Cormac McCarthy’s The Passenger”
Eli Dyer, University of Tennessee
“Who is the Passenger?: An Analysis of Human Choice in Cormac McCarthy’s Fiction”
Panel 2
Michael Crews, Regent University
“'Art is failed religion': Eros and Irony in Cormac McCarthy's Fiction”
Todd Womble, Abilene Christian University
“Cormac McCarthy: College Student”
April Trepagnier, University of Tennessee
“The ‘universal ailment: the need to be loved’: Reading Child of God with Students”
Lunch on your own
Panel 3
Gavin Paul, The University of British Columbia
"‘I read it front to back’: Teaching McCarthy in a Great Books Course”
Jackson Davis, [affiliation]
“Literacy research in teaching comprehension using Cormac McCarthy's All the Pretty Horses and No Country for Old Men”
Brian Schill, University of North Dakota
“Old Cormac, New Criticism”
Michael Beilfuss, Missouri Southern State University
"‘Some sort of promise in his heart’: Hope and the Sacredness of Disciplined Action in Cormac McCarthy's Writing”
Panel 4
Kazuhiko Yamaguchi, Sophia University
“Cormac McCarthy within the Tradition of Japanese ‘Translation Literature’”: The Translating Subject and the Translated Subject”
Federico Bellini, Università Cattolica del Sacro Cuore
“Cormac McCarthy in Italy”
Max Levenson and Osman Nemli, Emory University and Vassar College (respectively)
“The McCarthy Problem: Translation and the Expansion of Influence”
Panel 5
Lexi Brown, Missouri Southern State University
“Even Cowboys Get the Blues: Relational Colonial Borders of (Hyper)masculinity, Race, and Power in Cormac McCarthy’s All the Pretty Horses”
Drew Creed, Missouri Southern State University
“Fathers, Sons, and Prophets: How Religion Survives After Apocalypse in Cormac McCarthy's The Road”
Abby Green, Missouri Southern State University
“The Bear, the Judge, and the Jakes: An Exploration of Animal(istic) Symbolism in McCarthy’s Blood Meridian”
5:30 Opening reception
Friday, Oct. 9
Panel 6
Maisie Smith, Baylor University
“‘Each age must write its own books:’ No Country for Old Men and the Failure of Transcendentalism in Modern America”
Amy Thomas, [affiliation]
“Literary Inheritance and the Logic of Violence: Jack London and Cormac McCarthy”
Scott Yarbrough, Charleston Southern University
“The Anxiety of Influence: McCarthy’s Move from Faulknerian Ephebe to Mastery in The Orchard Keeper”
Panel 6
Peter Rogati, Independent Scholar
"'Like a child beginning to cry': Elaine Scarry and the Wounded Male Body in Cormac McCarthy’s All the Pretty Horses"
Nell Sullivan, University of Houston-Downtown
“The Feminine Copula in Male Homosociality in No Country for Old Men”
Brent Cline, Hillsdale College
"’They Seldom Mention the Good’: Marriage and the Good in Cormac McCarthy”
Panel 7
Emanuele Ciantò, Independent Scholar
“Cormac McCarthy’s Dialectic Existentialism through Faith and Unconscious”
Bryan Vescio, Highpoint University
“The Conversation of Mankind: Dialogue and Discourse Ethics in McCarthy”
Jon and Rick Elmore, Louisiana Tech University and Appalachian State University
“‘A strange silence in the room': Freedom, Choice, and Human Nature in the Kekulé Essays and Blood Meridian”
Lunch on your own
Panel 8
Richard Rankin Russell, Baylor University
“Bend it Like Beckett: The Arc of the Moral Universe, Evil, and the Exilic Self in Blood Meridian”
Rachel Griffis, Spring Arbor University
“Cormac McCarthy and Anglo-Saxon Christianity”
Russell Hillier, Providence College
“Evader of Dust and Shadow: The Huérfano’s Plight and the Reclamation of the World in The Crossing and Cities of the Plain”
Panel 9
Adam Morton, University of Sydney
“‘Hell in spectacles’: Reckoning the Account of Neoliberalism in No Country for Old Men”
Amy May Fischli, Adelaide University
“McCarthy’s World of Shopping: Economics of Modernity in The Road”
Tomasz Śledź, Kazimierz Wielki University
“Monarchs of None They Survey: Epistemic Anxiety and Epistemophilic Instinct in Cormac McCarthy's The Road”
Panel 10
Steven Frye, California State University-Bakersfield
[Title]
Olivia Claire Williams, University of North Alabama
“‘Are We the Good Guys?’: Carrying the Fire in McCarthy’s Posthuman World”
Dianne C. Luce, Emerita, Midlands Technical College
“Traumatic Visions: The Kid, the Judge, and the Coldforger in Blood Meridian's Drafts”
Evening keynote by Richard Grant
East Tennessee History Center
Saturday, Oct. 10
Panel 11
Nicholas Delon, College of Charleston
“Between the Archatron and Bach: McCarthy’s Nihilists”
John Vanderheide and Candy Minx, Huron University and Independent Scholar
“The Meridien Tarot Deck: A Collaborative Research-Creation Project in Cormac McCarthy Studies”
Wes Morgan, Independent Scholar
“Alice in Stupidville: Coincidence or Literary Easter Egg”
Panel 12
Jordan Dominy, Auburn University at Montgomery
“‘Are you sure you want to hear all this?’: Companionship in The Passenger and Stella Maris”
Lydia R. Cooper, Seattle University
“The ELIZA Problem: A.I., Language, and Being Human in Cormac McCarthy’s Stella Maris”
Maria Hineva, [affiliation]
“Between Mourning and Melancholia: Grief and the Unknowable Other in Cormac McCarthy's The Passenger and Stella Maris”
Panel 13 – Panel on Cormac McCarthy’s Library
Stacey Peebles, Centre College
Jennifer Mezick, University of Tennessee
Joshua Ortiz Baco, University of Tennessee
Anchalee Panigabutra-Roberts, University of Tennessee
Conference lunch with featured speaker Tracy Daugherty
Panel 14
David Mikics, New College of Florida
“Blood Meridian and The Passenger as American Prophecy”
Cody Ward, University of North Carolina at Chapel Hill
“Climate Studies and an Appalachian Sense of Place in Cormac McCarthy's The Road”
Terra Kirkland, Independent Scholar
“The Poorly Guided Winged Soul: Alicia Western and Plato's Phaedrus in Cormac McCarthy's The Passenger and Stella Maris”
Panel 15
Brett Lewis, University of Central Arkansas
“Drafting the Apocalypse: Geography, Revision, and Erasure in “The Grail” draft of The Road”
Jeff Seymour, [affiliation]
"Kekulé, Why the Incest?: Form, Metaphor, and the Divided Brain in The Passenger and Stella Maris"
Will Attig, Royal Holloway, University of London
“Cannibalism and Repetition in Cormac McCarthy’s The Road”
Evening screening of Cormac McCarthy’s Library, a film by Jack Evans